#3 – Eight Times Over Miss October

Welcome back to this irregular music blog, where I have a gush about some of the new music that has hit my face this month. Don’t forget, there’s a Spotify playlist of everything here, in reverse order, if that’s something that takes yr fancy.

EOB (Ed O’Brien) – Santa Teresa

It’s always fascinating to hear mostly silent members of really massive groups come forward and release something that is their own making. It adds personality and context to their playing within the band from that point on, for me at least, and sometimes you can lead the solo material directly back to moments in the larger bands previous work.

As is the case here, with this glorious piece of ambient loveliness from Ed O’Brien, the rhythm guitarist and tall handsome lad from Radiohead. I tried not to expect too much from the track, and there isn’t alot to it other than a very Eno-esque, guitar led ambient landscape, however the video is something that has captured my heart.

I don’t think I’ve seen much video work like this before. It’s a very generative, dynamically moving visual, thousands of granules sliding down the frame, occasionally forming images that quickly fade. The sometimes sharp edges of the frame give a boundary to the work, and this is as close to a moving painting as I’ve ever seen. It’s better experienced than written about. Go take a look with some headphones on, and the quality as high as you can get it.

EOB’s album has no release date as of yet.

Battles – Titanium 2 Step ft. Sal Principato

Eclectic 2-piece Battles have been forging a wonderfully wonky path for themselves since 2003, and first came to my attention in 2006 with their first few EP’s. The current members consist of Ian Williams, formerly of math punks Don Caballero and Storm & Stress, and the inimitable drumming of John Stanier, the man behind the iconic drum sounds of Helmet, The Mark Of Cain and Tomahawk. They’ve waxed and waned a few members over the years, and now find themselves resting as a two piece with various guests wandering in and out across their records.

Their newest, Juice B Crypts, dropped on the 18th of October, and includes this solid, fun and funky first single, Titanium 2 Step, featuring the scatty, sample-like interludes of Sal Principato (frontman of Liquid Liquid, whose track Cavern got sampled heavily by Grandmaster Flash for White Lines).

I just like this alot, haven’t heard the full record yet. But this is a core Battles track, through and through.

Dry Cleaning – Viking Hair

Peckham, London 4-piece Dry Cleaning have had my full attention since appearing on the Independent Music Podcast, an absolute favourite of this here blogger, with their sardonic monarch sulking track Magic Of Meghan, impressing such height and tongue-in-cheek deity on the most recent duchess of Sussex.

That EP, Sweet Princess, was wonderful start to finish, and they’ve dripped a couple of songs from their next EP already, and Viking Hair takes us further into the brusque, au-fait surety of personality that comes from Florence Shaw. The instrumental is always driving, solid and the chorus effect of the guitar, a strong characteristic of the band at this point in time, is really warm and captivating. They strike me as a cleaner, more compact Sonic Youth, with Florence like a british Kim Gordon but with more of a personal, honest thrust to her lyricism.

Their new release, the Boundary Road Snacks and Drinks EP, is out on the 25th of October.

SECT – Like Animals

Absolutely one of my favourite hardcore bands ever was Cursed, the Canadian band that ran from 2001 to 2008. On a whim after hearing about Left For Dead from a guitarist in my first band, I tracked down the vocalist Chris Colohan‘s latest band at the time, and I had my hardcore life turned upside down. The filthy, dust-fused vocals, the rough but satisfying production on the first two albums, and just a complete, bracing and unadulterated anger that I’d been lacking in my life.

But they were dead. DOA. They’d just released their last album, and on May 28 of 2008, they got robbed while at the end of their European tour, apparently an inside job from someone in their touring party, and they couldn’t continue as a band from there. And I threw my hands up. The same thing that had happened to me with At The Drive-In happened to Cursed, breaking up just as my interest in them peaked.

So I blanked on Chris Colohan for a while. Nothing he did could quite live up to the intense heights of Cursed, and I stopped keeping an ear out. Which makes this new development all the more satisfying.

SECT have been around for about 3 years now, flying under my Colohan denial radar up until their third record got release, at the end of August. SECT are everything Cursed could have been, Kurt Ballou making everything sound as crisp and perfect as he does with every record he produces. Colohan is joined by James Chang (Catharsis, Undying), Scott Crouse (Earth Crisis, The Path Of Resistance), Steve Hart (Day Of Suffering), and drummer Andy Hurley (The Damned Things, Fall Out Boy) and we get a complete, visceral, anarchic hardcore/metal experience.

I’m really happy, guys.

Common Holly – Joshua Snakes

Absolutely my pick from this week’s New Music Friday on NPR. Delightfully peculiar, angular pop from Montreal-based singer-songwriter Brigitte Naggar. Don’t let that singer-songwriter tag fool you tho, I often read that tag as ‘boring/stoic/repetitive meandering songwriter’ but in this case, Common Holly does some really interesting things on her second record, When I say to you Black Lightning, which came out on the 18th of October.

There’s some really satisfying production surrounding these lovely songs, some random hits and rough tones mixed with some rougher guitars to grit everything up, as well as some nice space mapped out on later tracks on the record. I get a more modern take on an early Cat Power vibe, but with a little more innocence.

It’s interesting, and that’s all I need.

Gang Starr – Bad Name

Posthumous records can be a real drag. They hardly ever really live up to what’s expected, because you know its the end, and there can’t really be any more, so it puts a stamp on the album and makes it feel dated and stale, especially if many years have passed since the artist in question passed, and what state the record was in when they did.

But I’m getting a great feeling about this upcoming final Gang Starr record. Absolute hip-hop legends, Gang Starr played by their own rules, with the inimitable voice of Guru fronting the deeply original and sample heavy production of DJ Premier. Guru passed in 2010, and their most recent album prior to that was 2003, so these vocals have sat for a good amount of time. But Premier has pulled in some guests who are so deeply stoked to be on the album, with J Cole stating that his verse on Family & Loyalty will be the last guest he will ever do on a track.

For me, my friend David introduced me to Guru‘s clear, concise and poetic lyrics around 2007, then a Canberra-focused twist on the chorus to The Planet appeared on the track Skyspike, on Finnigan & Brother‘s first full length Spend A Month In Colombia, which we recorded in 2012. I don’t know a hip-hop vocalist with a more original delivery style, one that is so devoid of drawl and rhetoric. It’s gonna be nice hearing some new stories from Guru. Let’s hope the record is as good as the last record from A Tribe Called Quest.

One Of The Best Yet is due out in December.

#2 – Do You Remember? A Post About Music In September

Here’s a bomb drop of songs that are new/good/fresh in some way for me this week.

You can hear all music related to this blog at Spotify, including tracks played on the old Tunes On A Plate show. It’ll be updated with each new post.

Mandy Moore – When I Wasn’t Watching

I haven’t really thought much about Mandy Moore since I was a teenager. I was there when Candy (this was such a massive number… 2?!?!?! hit in Australia), Crush (trumped by Jennifer Paige’s Crush IMO) and I Wanna Be With You were gigantic pop staples in the hallways of my preppy high school. She was sweet, saccharine and sexy, and of course, I hated it.

But there was something less fake, less bought and sold about her that always kept her in the back of my mind. I knew years later that she was in a long term relationship with Ryan Adams, and that was of no consequence until just recently.

But regardless of everything in her past, she’s dropped a new single, and it’s fucking sensational. It’s got some real late 80’s/early 90’s Stevie Nicks vibes for me, and rocks an interesting chorus arrangement.

Charli XCX – Gone (ft Christine & The Queens)

Holy shit, I’ve been pretty wrapped up about Charli’s new record for a while now. 1999 was an uncompromising monster of a single, released at the back end of last year, and in classic ‘waterfall’ fashion, we’ve had drops of singles up until the album’s release this month.

Gone was also a pre-album release, and I passed it off as uninteresting the first time I heard it. But the hook stayed with me, and when it fell on me a couple of times over the course of the next month, it latched onto my brain and now I think it’s one of the pop picks of the year.

My feelings all peaked when watching this performance on Fallon this evening. I’ve had few passes at the wonderful pop record Charli has assembled, and everything she is as a performer is on stage right here. But I got truly staggered by Christine in this video, she’s absolutely gigantic here and makes the performance what it is. Don’t skip this. And pay hard attention to the breakdown.

Grimes & i_o – Violence

Grimes continues down a darker path with her recent output with the clinically catchy and entrancing Violence. Personally, I never had an in with Grimes, apart from a fleeting enjoyment of Oblivion, until We Appreciate Power, because I always find it so damn fascinating when pop mixes its colours with heavy rock guitars and tones.

There’s definitely less of that here, this song is more about a few simple ideas smooshed together, and after listening to this track on a few different sound systems, I’ve come to notice that this song just doesn’t have any guts without the sensational bass throb throughout. Listening to this on tinny or cheap speakers is a completely different experience, the bass creates this haunting, hypnotic vibe that really makes this song what it is. I’m really interested in what else Miss_Anthropocene has in store.

Danny Brown – Best Life

Danny Brown has his hands all over a bunch of projects, his new record U Know What I’m Sayin’ is out on October 4th, and I really got attached to Danny after his last full record, Atrocity Exhibition. He’s got his own TV show called Danny’s House, he STILL has one of the most interesting voices in hip hop. I want this.

Underworld – STAR

I don’t think Underworld have any fucking right to be this fucking good in 2019. To come all the way from Underneath The Radar, to this series of experimental releases they’ve been putting out called Drift over the last year, it’s fucking ridiculous that Underworld are still here, still relevant and still doing important things in the underground electronic music world. This song has a vocal cadence that is similar to their mega hit from the Trainspotting soundtrack ‘Born Slippy‘, with the same wry sense of humour. Take a longer look at the Drift series and see what else you can pull out of it.

Candy – Super-Stare

Candy are definitely one of the most brutal hardcore acts getting around at the moment. To the point that I get scared to put their record on, because I know what I’m in for. Their last record, Good To Feel, has languished in my Spotify saved records, because I know how good it is, I just talk myself out of ever being in a mood to put it on.

I’ll soon have another record to feel guilty about. Super-Stare is a 7 inch release out on Relapse, and it’s fuill of distortion, reverb and roughness.